Dec 30, 2019

• 1.46 Campari as an elite brand
• 3.10 The Milanese market
• 4.17 The world of the factory is the factory of the world
• 6.22 Pop & glamour
• 7.29 The dawn of mass advertising
• 10.47 Depero and Futurism
• 12.30 Art as autobiography
• 14.17 The futurist house: now and then
• 16.24 Depero and Rosetta
• 19.12 Depero and Mario Soldati
• 20.18...

Dec 16, 2019

- 2.10 Ripples and bubbles: the Roman factions and a dissolving empire

- 5.03 The four margraves

- 6.22 The complexity of the papacy

- 8.48 Formosus: controversial and pious

- 10.59 Infallibility, the play

- 11.58 Power, authority and faith: the Cadaver Synod

- 13.08 Reflecting (on) the present: Bush, Obama,...

Dec 2, 2019

- 1.40 The secret recipe
- 2.27 Inside a Mulassano’s tramezzino
- 4.53 Mulassano before it was Mulassano
- 8.09 VIP customers: legend and truth
- 11.11 Tramezzino: a case study
- 13.17 The shape, the meaning, the origin of the tramezzino
- 15.52 What’s an author's neologism?
- 17.22 Food and cultural...

Nov 18, 2019

- 3.35 Opera and gender construction

- 5.36 “Tuneful scarecrows”: orchiectomy and its effects

- 6.35 Masters of the voice: the castrato training

- 9.20 Voice and femininity

- 11.25 The ambivalence of the church

- 13.10 The apex of the castrati era

- 14.03 The end of the castrati era

- 17.49 The influence of the...

Nov 4, 2019

- 2.27 Who is Antonello da Messina?
- 4.45 The portrait of Unknown
- 5.47 Two smiles
- 6.44 Antonello’s eyes
- 9.18 Enrico Piraino, il Mandralisca: politician and philanthropist
- 12.35 Francesco Vitale: the bishop, the humanist
- 14.20 The last traces of Francesco Vitale
- 17.00 The journey of the Unknown

Today’s...